当下多数传统技艺仍以它们固有的形式存在，我希望借此探索传统文化更多元的应用场景。
至今2000多年的花灯是中国农业时代的文化产物。
它酬神娱人，兼具生活功能与艺术特色。
作品以花灯形态为灵感，探索文字字型、骨架结构、光源明暗的相互作用：
可以是平面或立体装置、可以只有外部轮廓或体现内部骨骼，
重新定义的花灯体没有限定，
变化出无限的想像空间。
Most of the traditional techniques still exist in their inherent form,
and designers hope to explore the application scene of more elements of traditional culture.
Flower lanterns over 2000 years ago are the cultural products of the agricultural era in China.
It is used to pay tribute to gods and entertainment, with both life functions and artistic features.
Nspired by the shape of the flower lanterns, the work explores the interaction of Chinese character type,
skeleton structure and light source changes: it can be a plane or three-dimensional device;
it can only have the external contour or reflect the internal skeleton;
the newly defined the flower lanternfont has no limit, and it can change into an infinite imagination space.
contact me
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wbbmind@foxmail.com
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wbbmind@foxmail.com
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