The exhibition The Familiar Noise consisted of two segments. One was grey-coloured, vertical, with multiple figures sharing space with the viewers - the participatory aspect. Thw other one, presented here, was an observational aspect - the white group. It focused on mapping human relations and transfering them into a scheme, a diagram. These figures were shifted by 90 degrees from the viewers' perspective, so that they can be seen "objectively", from a greater distance.