豐原6里標準字設計

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豐情圳永葫蘆墩

跨越世代的圳水，流著地域的生命 - 水清、米白、查某水豐原之盛情，圳水之雋永，葫蘆墩和葫蘆墩圳之間的耐久尋味。

一棟日式建築，1930年就存在的頂街派出所，空間記載著歷史，一場翻閱書寫，「水清、米白、查某水」，時光理解了生活。圳水聚合所成的稻田榮景，一樣米養百樣人，一條圳富饒豐原36里，富足了豐原餅業和林木業的發展，葫蘆墩圳的澆沃與豐潤，早期的風光，近代的繁榮，我們對豐原的感知不再只是小吃與信仰，40年的等待，重新看見葫蘆墩圳的生命流動。我們將豐原的事與物，遺留的記憶與情感，在這裡重組作為翻閱的起點，打開你對圳水的共鳴。

現在，你只要專注體會一個歷史場域，一場時空情境，一條圳水的深厚羈絆。開啟頂街派出所的大門，進來吧！

In the cross generation canal, water flows with the life of the region - clear water, white rice, beautiful women Kind Fengyuan, meaningful canal water, and intriguing relation between Huludun and Huludun Canal. Dingjie Police Station, a Japanese building built in 1930, records the history for one to understand life through reading about times of "clear water, white rice and beautiful women".The thriving rice fields at the convergence of canal waters grow the same rice for all kinds of people. The canal enriches 36 villages in Fengyuan, giving rise to the great development of the bakery industry and forestry in Fengyuan. The early glory and modern prosperity of the rich Huludun Canal have changed our perception of Fengyuan to more than delicious snacks and religion. After waiting for 40 years, we can see again life flowing in Huludun Canal. We reorganized the things of Fengyuan, the lost memories and emotions into a starting point for recollection to evoke resonance for the canal. You now only have to concentrate on experiencing one historical site, one time-space situation, and one canal's profound bonds. Open the door of Dingjie Police Station and come on in!

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· 展期：107/10/28（日）-107/12/02（日）

· 展覽場地：頂街派出所

· 地址：臺中市豐原區中正路5號

· 開放時間：每日10:00-18:00

六位設計師共同創作，而本頁介紹主要設計地點為台中市豐原區之其中6里

分別是：豐榮里、中陽里、民安里、東湳里、南陽里、富春里

循著豐原產業及文化根本，稻米、木材、木加工、漆藝及糕餅皆為，當地的發展基礎。本系列文字設計，首要顧及字模製造之需求，故以具有台灣早期常使用之「粗黑體」為基礎結構；在「豎」筆劃末端的圓角設計，則是以「木材及木加工」之產業特性作為核心概念，將剖開的木柴形狀融入其中；而字型的「簡化筆劃」及「斷筆」型態處理是由「漆藝」所聯想到「噴漆字」特性。將上述幾項特點揉為一體，作為設計本系列6個里的特色字體。

Following the industrial and cultural roots of Fengyuan , rice,wood,woodprocessing,lacquer art and bakery are all bases of local development . This series of scries of script design mainly takes the need of character mold manufacturing into consideration . Therefore, the "boldface" often used in early times of Taiwan is adopted ad the basic structure ; the round corner design at the end of "vertical" strokes employs the industrial property of "wood and wood processing" as the core concept for intergrating the shape of cut wood ; and the "simplified stroke" and "stroke discontinuity" of the font is treated by using the "graffiti" property of "lacquer art" .

The abovementioned characteristics are integrated into one ad the special script collenction of the six villages.