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sketches for fairy tales ✧ Anne of Green Gables 2018

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CHAPTER XII. A Solemn Vow and Promise
The Barry garden was a bowery wilderness of flowers which would have delighted Anne’s heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled.
“Oh, Diana,” said Anne at last, clasping her hands and speaking almost in a whisper, “oh, do you think you can like me a little—enough to be my bosom friend?”
Diana laughed. Diana always laughed before she spoke.
“Why, I guess so,” she said frankly. “I’m awfully glad you’ve come to live at Green Gables. It will be jolly to have somebody to play with. There isn’t any other girl who lives near enough to play with, and I’ve no sisters big enough.”
“Will you swear to be my friend forever and ever?” demanded Anne eagerly.
Diana looked shocked.
“Why it’s dreadfully wicked to swear,” she said rebukingly.
“Oh no, not my kind of swearing. There are two kinds, you know.”
“I never heard of but one kind,” said Diana doubtfully.
“There really is another. Oh, it isn’t wicked at all. It just means vowing and promising solemnly.”
“Well, I don’t mind doing that,” agreed Diana, relieved. “How do you do it?”
“We must join hands—so,” said Anne gravely. “It ought to be over running water. We’ll just imagine this path is running water. I’ll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in.”
Diana repeated the “oath” with a laugh fore and aft. Then she said:
“You’re a queer girl, Anne. I heard before that you were queer. But I believe I’m going to like you real well.”
When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together.
“Well, did you find Diana a kindred spirit?” asked Marilla as they went up through the garden of Green Gables.
“Oh yes,” sighed Anne, blissfully unconscious of any sarcasm on Marilla’s part. “Oh Marilla, I’m the happiest girl on Prince Edward Island this very moment. I assure you I’ll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell’s birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana’s birthday is in February and mine is in March. Don’t you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it’s perfectly splendid and tremendously exciting. She’s going to show me a place back in the woods where rice lilies grow. Don’t you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ‘Nelly in the Hazel Dell.’ She’s going to give me a picture to put up in my room; it’s a perfectly beautiful picture, she says—a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I’m an inch taller than Diana, but she is ever so much fatter; she says she’d like to be thin because it’s so much more graceful, but I’m afraid she only said it to soothe my feelings. We’re going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad’s Bubble. Isn’t that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think.”
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Nathaniel Hawthorne​​​​​​​ Mosses from an Old Manse, 1846
Many of the tales collected in Mosses from an Old Manse are allegories and, typical of Hawthorne, focus on the negative side of human nature. Hawthorne's friend Herman Melville noted this aspect in his review "Hawthorne and His Mosses":

This black conceit pervades him through and through. You may be witched by his sunlight,—transported by the bright gildings in the skies he builds over you; but there is the blackness of darkness beyond; and even his bright gildings but fringe and play upon the edges of thunder-clouds.​​​​​​​

William Henry Channing noted in his review of the collection, in The Harbinger, its author "had been baptized in the deep waters of Tragedy", and his work was dark with only brief moments of "serene brightness" which was never brighter than "dusky twilight".
Feathertop
Mother Rigby could do anything. She was a witch, a woman with strange powers. She could make water run uphill, or change a beautiful woman into a white horse. Many nights when the moon was full and bright, she could be seen flying over the tops of the houses in the village, sitting on a long wooden stick. It was a broomstick, and it helped her to do all sorts of strange tricks.
Mother Rigby ate a quick breakfast and then started to work on her broomstick. She was planning to make something that would look like a man. It would fill the birds with fear, and scare them from eating her corn, the way most farmers protect themselves from those black, pesky birds.
Mother Rigby worked quickly. She held her magic broomstick straight, and then tied another piece of wood across it. And already, it began to look like a man with arms.
Then she made the head. She put a pumpkin, a vegetable the size of a football, on top of the broomstick. She made two small holes in the pumpkin for eyes, and made another cut lower down that looked just like a mouth.
At last, there he was. He seemed ready to go to work for Mother Rigby and stop those old birds from eating her corn. But, Mother Rigby was not happy with what she made. She wanted to make her scarecrow look better and better, for she was a good worker. She made a purple coat and put it around her scarecrow, and dressed it in white silk stockings. She covered him with false hair and an old hat. And in that hat, she stuck the feather of a bird.
She examined him closely, and decided she liked him much better now, dressed up in a beautiful coat, with a fine feather on top of his hat. And, she named him Feathertop.
She looked at Feathertop and laughed with happiness. He is a beauty, she thought. “Now what?” she thought, feeling troubled again. She felt that Feathertop looked too good to be a scarecrow. “He can do something better,” she thought, “than just stand near the corn all summer and scare the crows.” And she decided on another plan for Feathertop.
She took the pipe of tobacco she was smoking and put it into the mouth of Feathertop. “Puff, darling, puff,” she said to Feathertop. “Puff away, my fine fellow.” It is your life.” Smoke started to rise from Feathertop’s mouth. At first, it was just a little smoke, but Feathertop worked hard, blowing and puffing. And, more and more smoke came out of him.
“Puff away, my pet,” Mother Rigby said, with happiness. “Puff away, my pretty one. Puff for your life, I tell you.” Mother Rigby then ordered Feathertop to walk. “Go forward,” she said. “You have a world before you.”
Feathertop put one hand out in front of him, trying to find something for support. At the same time he pushed one foot forward with great difficulty. But Mother Rigby shouted and ordered him on, and soon he began to go forward. Then she said, “you look like a man, and you walk like a man. Now I order you to talk like a man.”
Feathertop gasped, struggled, and at last said in a small whisper, “Mother, I want to speak, but I have no brain. What can I say?”
“Ah, you can speak,” Mother Rigby answered. “What shall you say? Have no fear. When you go out into the world, you will say a thousand things, and say them a thousand times…and saying them a thousand times again and again, you still will be saying nothing. So just talk, babble like a bird. Certainly you have enough of a brain for that.”
Mother Rigby gave Feathertop much money and said “Now you are as good as any of them and can hold your head high with importance.”
But she told Feathertop that he must never lose his pipe and must never let it stop smoking. She warned him that if his pipe ever stopped smoking, he would fall down and become just a bundle of sticks again.
“Have no fear, Mother,” Feathertop said in a big voice and blew a big cloud of smoke out of his mouth.
“On your way,” Mother Rigby said, pushing Feathertop out the door. “The world is yours. And if anybody asks you for your name, just say Feathertop. For you have a feather in your hat and a handful of feathers in your empty head.”
Feathertop found the streets in town, and many people started to look at him. They looked at his beautiful purple coat and his white silk stockings, and at the pipe he carried in his left hand, which he put back into his mouth every five steps he walked. They thought he was a visitor of great importance.
“What a fine, noble face” one man said. “He surely is somebody,” said another. “A great leader of men.”
As Feathertop walked along one of the quieter streets near the edge of town, he saw a very pretty girl standing in front of a small red brick house. A little boy was standing next to her. The pretty girl smiled at Feathertop, and love entered her heart. It made her whole face bright with sunlight.
Feathertop looked at her and had a feeling he never knew before. Suddenly, everything seemed a little different to him. The air was filled with a strange excitement. The sunlight glowed along the road, and people seemed to dance as they moved through the streets. Feathertop could not stop himself, and walked toward the pretty smiling young girl. As he got closer, the little boy at her side pointed his finger at Feathertop and said, “Look, Polly! The man has no face. It is a pumpkin.”
Feathertop moved no closer, but turned around and hurried through the streets of the town toward his home. When Mother Rigby opened the door, she saw Feathertop shaking with emotion. He was puffing on his pipe with great difficulty and making sounds like the clatter of sticks, or the rattling of bones.
“What’s wrong?” Mother Rigby asked.
“I am nothing, Mother. I am not a man. I am just a puff of smoke. I want to be something more than just a puff of smoke.” And Feathertop took his pipe, and with all his strength smashed it against the floor. He fell down and became a bundle of sticks as his pumpkin face rolled toward the wall.
“Poor Feathertop,” Mother Rigby said, looking at the heap on the floor. “He was too good to be a scarecrow. And he was too good to be a man. But he will be happier, standing near the corn all summer and protecting it from the birds. So I will make him a scarecrow again.”
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sketches for fairy tales ✧ Anne of Green Gables 2018
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sketches for fairy tales ✧ Anne of Green Gables 2018

diana barry x anne shirley ‘It’s about Diana,’ sobbed Anne luxuriously. ‘I love Diana so, Marilla. I cannot ever live without her. But I know ve Read More

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