FLOWER ARRANGEMENT
FLOWER CHANDELIER
Flowers are symbolic of spring in the air and step- of love and celebration. Assigned to design some arrangement using flowers. We got the inspiration to marry the feeling of being on top of the world and lighting up the space you are in: a combination of a crown and a chandelier.
FLOWER PARTITION
The other was a screen separating the humdrum life from celebration of life. Both these concept depict the joy of being alive.
GRADUATION PARTY
College farewell parties are not just a celebration of having graduated but of the journey ahead in the career chosen mixed with nostalgia of partying and shared experiences with classmates. The elements and display fully capture the moment: the fence at the back signifies the freedom ahead to pursue one’s dream, the suit case- the journey ahead, the camera- the moments captured in the experience with class mates and the globe signifies the world ahead.
OGAAN- STORE DISPLAY
The common and regular doesn’t grab your attention in a row of shops when you visit the market place. What grabs your attention is the display the shop has in its ‘show window’. We decided to go beyond: the ‘show window’ has a display of the product (haute couture apparel), but the low relief face is striking. The styling of the face is an adaptation of the very bold features normally seen in the effigies made for Dussehra celebrations.
To keep it light weight it has been crafted using thermocol covered with papier mache.
RESTAURANT- CHHUKNA (LIVE DISPLAY)
“ Travelling by Indian railways is not about the destination, but about journeys and experiences.”
The customers visiting the restaurant- CHHUK-NA, who were born before the 90’s decade will get to see elements which they were familiar with during their childhood and which have undergone complete change at the railway stations: this will add the sense of nostalgia for them. Those born in the new millennium will get to see these very elements as a novelty as these have been replaced by contemporary designs.
In the display of CHHUK-NA, the colour of the walls and the window frame have been taken from the quote of paint on the outer surface of the coaches while the simplified form indicating wheels of the train have been used to separate each cabin seating two diners on chairs upholstered in blue leatherette ( instead of green Rexene which was generally used in coaches in trains).
