GuitarTempus Virtual Guitar VST, VST3 and Audio Unit plugins for Windows and macOS: Acoustic (Nylon, 6 & 12 Steel String) Semi Acoustic Hollow Body and Electric 'Clean' Guitars.
http://guitartempus.syntheway.net - GuitarTempus is a virtual guitar designed to emulate the acoustic (nylon, six and twelve steel string), semi acoustic (hollow body) and electric 'clean' guitars. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS.
Features
• Quick selector to switch between different preset sounds:
Timestamp from YouTube at https://www.youtube.com/watch?v=g0oaYebZ4Mc
01 • Nylon String Acoustic Guitar 0:00
02 • Steel String Acoustic Guitar 1:08
03 • Twelve String Acoustic Guitar 2:42
04 • Semi Acoustic (Hollow Body) Elec. Guitar 4:23
05 • Electric Guitar Clean Warm 5:35
06 • Electric Guitar Clean Smooth 6:48
07 • Electric Guitar Clean Shimmer 8:14
08 • Electric Guitar Subtle Overdrive & Vibrato 9:17
09 • Jazz Electric Guitar Shiny 10:53
10 • Jazz Electric Guitar Smooth 11:22
• Low Frequency Oscillator Section: These knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.
• Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
• Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
The following combo boxes settings adds motion or variability to sounds:
• WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
• Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
• Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
02 • Steel String Acoustic Guitar 1:08
03 • Twelve String Acoustic Guitar 2:42
04 • Semi Acoustic (Hollow Body) Elec. Guitar 4:23
05 • Electric Guitar Clean Warm 5:35
06 • Electric Guitar Clean Smooth 6:48
07 • Electric Guitar Clean Shimmer 8:14
08 • Electric Guitar Subtle Overdrive & Vibrato 9:17
09 • Jazz Electric Guitar Shiny 10:53
10 • Jazz Electric Guitar Smooth 11:22
• Low Frequency Oscillator Section: These knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.
• Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
• Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.
The following combo boxes settings adds motion or variability to sounds:
• WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
• Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
• Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
• Attack determines the time it takes for the note to get to the maximum level.
• Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
• Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
• Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
• Pitch Bend center position: is normal pitch.
• Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
• Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Pitch Bend center position: is normal pitch.
• Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
• Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
• High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
• None: No filter is applied.
• Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:
• Amplitude range (low) - sets amplitude range, lower bound (dB)
• Amplitude range (high) - sets amplitude range, upper bound (dB)
• Amplitude range (low) - sets amplitude range, lower bound (dB)
• Amplitude range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
• Spatial auralization: Spatial auralization: Guitar emulations brings a stereophonic sound panning to increase the audible perspective, even without using the built-in reverberation or LFO pan effect.
• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
