栖息之地 Perfect Place | 展覽設計

Design by

CHENWB & Christindinner

-

展訊 | Information

展覽名稱：栖息之地（Perfect Place）

展覽時間： 2017年08月19 - 28日／每日14:00 - 19:00

正式開幕日：2017年08月20日

地址：東莞市南城新基社區香園路35號萬科769文化創意園

參展人（不分先後順序）： Kenix ／ Janus Leong ／ Minvoke ／ Christindinner ／王偉權／羅皓辰／陳偉斌

策展人（不分先後順序）：羅皓辰／西／陳偉斌／ Christindinner

特別感謝：萬科769文化創意園

Preface

-

In recent years, Dongguan emerged a large number of cultural and creative industries, no doubt tell us that the art of Dongguan and urban life between the more and more closely related to the city's cultural and creative industries demand is gradually increasing. For the current status of Dongguan, the cultural and creative industries are still gradually developing, and a city's cultural level is a large degree of local needs at all levels as well as a variety of cultural and artistic activities, independent works of art exhibition is very An important part. But for now, the number of independent exhibitions of contemporary art in Dongguan is very small, so we hope that in our own independent form, try to start in Dongguan and contemporary culture and art, to the city to bring new culture and art sence.

-

Our growth is often accompanied by the "perfect" requirements and expectations, from childhood to be a variety of "perfect" life around the recommendations: elders always tell us what is perfect, how will become perfect. Do not know in their eyes "imperfect", in our view is actually "well enough". In our position, it is often called another "perfect". It is possible for the subjective "imperfect and perfect" self-expression to be of an extremely uncontrollable state that makes it possible for the viewer to have an explanatory barrier to the work, and we take our "realization and concepts" is in order to expand the state of the obstacles to think and provoke.

-

Is not the guide, merely in our own role, holding a trace of "multiple perspectives" of the candy-coated to cover the rebellious spirit to discuss and resist the so-called "arranged prefect life and created the illusion of perfection". The" perfect inertia "or" perfect experience ", which are being disciplined by hardness is given to our generation.

-

In order to impress and reveal the concepts of a different kind of mind , the expulsion of doubt is one of the beginnings of a particular character for our sensibility. Therefore, we are confused by the perfection of our own "imperfect" and "what is perfect". Propositions, around the context of the beating, to trap our own different thinking traces of the retention, opened this concept of exhibition.

前言

-

近年來東莞湧現出一大批文化創意產業，無疑在告訴我們，東莞的文化藝術與城市生活愈來愈貼緊，城市對文化創意產業的需求也逐漸增大。對於目前現狀的東莞來說，文化創意產業還在逐漸發展中，而一個城市的文化水平則很大程度上需要本土各個層次以及各種各樣的文化藝術類活動構成，獨立藝術作品展覽則是很重要的一個部分。但是目前來說，東莞本土的當代藝術獨立作品展則非常非常少，所以我們希望以我們自己獨立的形式，嘗試在東莞本土展開與當代相貼切的文化藝術，給城市帶來新的文化藝術氣息。

-

我們的成長往往都伴隨着「完美」的要求與期望，從小就被各種「完美」的人生建議所圍繞：長輩們總告知我們這樣最完美，那樣最完美。殊不知在他們眼中的「不完美」，在我們看來其實「挺好的」，在我們的立場中，往往稱之為另外一種「完美」。這種主觀的「非完美亦完美」的自帶樂觀且具有極大不可控性質的狀態有可能使觀者出現對作品產生的解讀障礙，而我們帶着我們的「理解與觀念」的出現，亦正是為了展開這個狀態的障礙思考而進行試探與挑釁。

-

並非引導，只是在我們自己的角色里，手持一絲以「多角度思考」的糖衣來掩蓋的叛逆精神來討論以及反抗於所謂的「被安排指點的完美人生演繹以及浮游在完美之地的虛幻假象」、那些被規訓的日常、被硬性定義成的「完美慣性」或者說「完美經驗」給予我們這一代的灌輸。

-

為了袒露別樣觀念心聲，不驅逐疑問是對於我們的後感性具有非常性質的開端之一，因此，我們自我凝視自身的「不完美」內的完美以及「何為完美之意」這個充滿疑惑的命題，圍繞着語境所發生的跳動，誘捕我們各自不相同的思考痕迹的留存，開啟了這一個觀念展覽。