Andrew Dickinson's profile

Type and its many faces

Designing with type
The project required both dedication and heart while yet following a list of specifications. From it, I came out with two beautiful pieces of art. 
Project specifications included:
-The format for each composition is 6.75 × 8 inches tall.
-Sans-serif font: Neue Haas Grotesque Bold
-Serif font: Stemple Garamond Roman
-Each composition must contain five to eight different glyphs.
-Each composition must include at least five unique glyphs (you may not use three a’s, etc.).
-Each composition should contain at least five different elements of typographic anatomy. They may include a stem, counter space, spine, bowl, an ascender, descender, loop, arm, and/or cross bar.
-Each glyph must be all black or all white. No gray and no color.
-In the composition at least two glyphs should be black, and two glyphs should be white.
-Do not use outlines around the glyphs.
-Use only alphanumeric glyphs (numbers and letters). No punctuation, etc.
-Each composition should be abstract and follow design theory. Do not make pictures.
-Try to showcase the personality of the font.
Type and its many faces
Published:

Type and its many faces

Two typographic representations: One in Neue Haas Grotesque and one in Stemple Garamond Roman

Published: