These photos are from various backdrops and other items I've worked on both on my own and with other people.
Painted at Scenic Studios Melbourne, using paint and dye for backlighting, on 20mx10m bleached cotton canvas,
for The Australian Ballet's 'Nutcracker', designed by John Macfarlane.
Painted at Scenic Studios Melbourne on bleached cotton canvas for 'Wicked' Australia.
Detail of a cross from 'Jersey Boys' Australia, painted at Scenic Studios, Melbourne.
5mx3m cotton canvas, painted for Melbourne Theatre Company at Scenic Studios.
Painted for The Melbourne Theatre Company at Scenic Studios.
Painted on gauze 25mx12m for 'We Will Rock You' at Scenic Studios, Melbourne.
A section of a cut cloth, 12mx6m, for 'Phantom of The Opera', painted at Scenic Studios.
A gauze painted for The Australian Ballet's Halcyon, designed by Bluebottle.
A Midsummer Nights Dream painted for The Houston Grand Opera at Scenic Studios, designed by Dale Ferguson.
Painted for 'Wicked' Australia at Scenic Studios Melbourne, 18mx12m cotton canvas, using paint and dye for backlighting.
Front cloth for the Royal Opera House's LesTroyens, designed by Es Devlin.23x12m.
Sevastapol designed by Emma Bailey for Opera Shots 2012.
This is a 16x5m infinity cloth designed by Sophie Mosberger for The Linbury Theatre's Mozart and Salieri. 2013.
Originally designed by Julia Trevelyan Omanin in 1984, this front cloth was repainted on a very open square gauze approximately 20x10m with Mark Fairclough and Lizzie Wilkinson at the Royal Opera House production workshop in 2013 due to the original one being worn out.
