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The exhibition engenders the feeling that the artist mopped up landscapes with her canvases and the shapes have taken form and slid from the walls, back to the ground. The materials from every piece are flirting with each other; mimicking, echoing and calling out across the marble floor. There is a common language amongst them that enables the materials, (clay, paper, wood, silver and wrapping paper) to sing in chorus. It is often hard to decipher one material from another and the separate parts start to form a whole. Each piece within the show is related and in conversation.
State of Concept
Published:

State of Concept

The artist deconstructs language and landscape so as to rebuild with the same blocks. The work is generous and gives the viewer space and time to Read More

Published: