Currence is created with a flatbed image scanner. Over the course of a scan, I choreograph movements and intervals of rest using a squared piece of raw pine as the subject (twenty-four inch length, half inch sides). As the scanner’s interface distinctly assembles time and energy into still image, this methodology enables me to sculpt digitally dependent forms from an analog input (no Photoshop). Doing so not only resolves to suspend each image between realistic fidelity and the abstracted performance, but it allows the forms to inhabit a fractural space between the physical and digital worlds. In effect, Currencepurposes this framework to examine and distill the fundamental components of the creative process – form and energy. Per composition, Currence I explores the notion of resonance between these instances.