"Rocaille Metamorphosis" collection exposes to the viewer a binary vision of female seduction by hybridizing two distinct epochs: the Elizabethan era, representing Elizabeth the 1st, known as Gloriana due to her strong personality and invincible character, and the Rococo period identified with the name of the queen consort of France, Marie Antoinette, an effervescent character who revolutionized in the true sense of the word and managed to remain in the memory of posterity as "queen of excesses"
The stylistic duality is referring at the silhouettes, shapes, mixing the geometry, a specific elizabethan element, with the grace and finesse of the textures, decorative elements, identified in the Rococo architecture of the eighteenth century.
Regarding the colors, predominate pastels, very pale tones of pink, blue, in contrast with darkness of black, gold, in order to highlight more the dual identity.
In terms of fabrics there are noticed bold combinations of eco-leather, latex, with denim, tulle, organza, and oil painted surfaces which imitate jewelry, pearls or depict feminine medieval portraits. There are tight boned corsets, wide skirts, volumes,hand pleated fabrics, gradual layers of tulle for an optical illusion.
The stylistic duality is referring at the silhouettes, shapes, mixing the geometry, a specific elizabethan element, with the grace and finesse of the textures, decorative elements, identified in the Rococo architecture of the eighteenth century.
Regarding the colors, predominate pastels, very pale tones of pink, blue, in contrast with darkness of black, gold, in order to highlight more the dual identity.
In terms of fabrics there are noticed bold combinations of eco-leather, latex, with denim, tulle, organza, and oil painted surfaces which imitate jewelry, pearls or depict feminine medieval portraits. There are tight boned corsets, wide skirts, volumes,hand pleated fabrics, gradual layers of tulle for an optical illusion.
