When people's eyes fall on the environment outside the building, the building is then turned into a window for modernist to understand the past. As a kind of real material medium, the architecture does not let people review the historical and cultural heritage through the way of joking and virtual games, but enable people to experience a series of scenes full of vitality in the paddy field outside of the building through the magnified sense organs, so as to refresh the lost cultural memory of thousands of years in this land
Looking from the other side in the evening, the golden rice fields do not shine as brightly as they do in the daytime. At this time, the yellowish light penetrates from the interior of the building little by little, blurring and weakening the original sharp look. Everything around was quiet. At this time, the pavilion was like a watchman in the rice field. It was watching for the people born and raised in this waterside village, and watching for the rice field growing together with people in the seasons
The imprint of time is engraved in every corner of the building, and the building now comes into being a credible inheritor, unveiling the old stories here bit by bit and slowly
