The Procaryotic, 2014, UK. A reenactment of photographic archives from Waiting for Godot 1953 in camera obscura.
Role: creator and performer.
Directed by Samantha Manzur.
Agnetha Kurtz Roca by Antimétodo, 2014, UK - Chile. A solo performance in which, through the conference as a scenic event, a fictional character using the musicality of language, questions language itself as power, identity, and community.
Role: creator and performer.
Directed by Ana Luz Ormazábal.
Skylight by David Hare, 2016, Chile.
Role: performer.
Directed by Pablo Halpern.
Rope by Patrick Hamilton, 2016, Teatro UC, Chile.
Role: performer.
Directed by Luis Ureta.
Ópera, by Antimétodo, 2016, Chile.
Role: performer.
Directed by Ana Luz Ormazábal.
Cuerpo Pretérito by Colectivo Interdicta, 2018, Chile.
Role: creator and director.
https://www.youtube.com/watch?v=ar717gAzs6s
El Círculo by Colectivo Natuf, 2019, Chile.
Role: performer.
Directed by Andrea Giadach and Sofía Scharager.
Between Acting and Performing, 2021, Chile.
This monograph analyzes the performance practices of 4 Chilean companies of the early 1990s.These companies emerged within the context of transition towards democracy after Augusto Pinochet’s dictatorship, and after the arrival of performance art in Chile around 1970, which emphasised the body as the
first place of enunciation and resistance during military rule.
This study investigates how the sociopolitical context and the artistic practices of the creators from the late1980s and early 1990s influenced the conception and execution of an specific kind of acting; one that “stages” the body as the first place of execution, representation and resistance. While bodies had literally disappeared as the result of murders committed by the militia and dictatorial government, acting and performance art made them appear on the stage more insistently.
first place of enunciation and resistance during military rule.
This study investigates how the sociopolitical context and the artistic practices of the creators from the late1980s and early 1990s influenced the conception and execution of an specific kind of acting; one that “stages” the body as the first place of execution, representation and resistance. While bodies had literally disappeared as the result of murders committed by the militia and dictatorial government, acting and performance art made them appear on the stage more insistently.
Role: Research director and co-author.
