The 1st automotive design-album. Kubrick.
1:1 aspect ratio.
1:1 aspect ratio.
aka "Bath"
aka "The Endless Almanac"
aka "The Happy Accidents"
aka "The Happy Accidents"
aka "Instant Classic"
aka "Postmodern Library"
aka "Postmodern Library"
aka "Bavarian Metapattern"
aka "Rhizomic Story"
aka "Outta nowhere to nowhere"
aka "Cardesign From Cardesigner"
aka "Brilliantly Blunt & Bluntly Brilliant" Mothafucka Thesis
Disclamer: we are responsible for psychological health of future generation designers.
"After I had been studying with him for two years, Schoenberg said, «In order to write music, you must have a feeling for harmony». I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, «In that case I will devote my life to beating my head against that wall."
― John Cage
― John Cage
P'S'Y'C'H'O
Proposal 1. Based on "Day of the fight"
Following their rising in the morning, as with the LOOK photo spread, Kubrick depicts the ritual of Walter going to mass on the morning of a fight, for Walter considers communion to be a crucial component of his pre-fight ritual. Kubrick tracks the twins walking through New York, which may give time for some exposition and a bit of history but is also used to present the twins, their physical similarities. When they cross a street, they walk to the center and then jog across in the exact same manner, showing much the same body language.
LOLITA
Proposal 9.
The sense of a gap between style and content, since a very serious event - a murder - is treated in the tone of a blackhumored prank. The absurd comedy-murder. If Quilty os Humbert's reflection, he is in a convave or convex mirror. The Quilty character becomes a shape-shifter, incarnating some of protean, Menippean spirit that animats the novel. Through a kind of displacement from narrative to character, Quilty becomes something of an ambulatory intertext, a performative embodient of Nabokovian style, no longer as literaly citation but rather as allusive improvisation.
