Transkripcija filma u medij publikacije
Kolegij: Postdigitalno izdavaštvo
Mentor: doc. Andro Giunio
Sveučilište Sjever, odjel za Medijski dizajn
Kolegij: Postdigitalno izdavaštvo
Mentor: doc. Andro Giunio
Sveučilište Sjever, odjel za Medijski dizajn
„Victoria“:
Njemački kriminalističko-dramski thriller redatelja Sebastian Schippera jedan je od rijetkih dugometražnih filmova snimljenih u jednom kontinuiranom kadru - bez postprodukcijskog procesa simulacije kontinuiranog kadra. Snimanje je započelo 27. travnja 2014. u 4:30 h, a završilo u 7:00 h. Scenarij se sastojao od dvanaest stranica, pri čemu je glavnina dijaloga ostvarena improvizacijom. S obzirom na ograničeni budžet, redatelj je bio u mogućnosti snimiti samo tri „long shot“ pokušaja cjelokupnog filma od kojih je treći pokušaj ostvaren kao „Victoria“. Osim što je film specifičan po jednom kontinuiranom kadru, on je specifičan i po gradijentnoj promjeni topline svjetla koja se od toplog tona ulične rasvjete prelijeva u hladan ton svitanja. Ton svjetla doprinosi radnji filma koja započinje u maniri romantične drame, a završava u domeni trilera.
Koncept:
Prilikom transkripcije filma u medij publikacije, glavni fokus konceptualnog pristupa u definiranju vizualnog rješenja temeljio se na vizualizaciji kontinuiranog kadra, gradijentne promjene topline svijetla, te intenziteta dijaloga u filmskom vremenu. Svakom liku dodijeljen je zaseban rez pisma koji djeluje u službi karakterne predodžbe.
Tipografija je glavni nositelj radnje, raspoloženja i intenziteta. Stoga veličina pisma prikazuje intenzitet govora, prostorni razmaci u izmjeni dijaloga prikazuju protok vremena u međuodnosu, dok gradijentno prelijevanje toplog tona u hladni ton prikazuje postepenu promjenu radnje i njenog intenziteta te sveukupnog protoka vremena (od noći do svitanja). Glavna ideja konceptualnog pristupa bila je predočiti atmosferičnost filmskog djela.
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Victoria:
The German crime-drama thriller directed by Sebastian Schipper is one of the few feature films shot in a single continuous frame - without the post-production process of continuous frame simulation. Filming began on April 27, 2014 at 4:30 a.m. and ended at 7:00 p.m. The script consisted of twelve pages, with the main dialogue realized through improvisation. Due to the limited budget, the editor was able to shoot only three "long shot" attempts on the entire film, of which the third attempt was made as "Victoria". Apart from the fact that the film is specific in one continuous frame, it is also specific in the gradient change in the heat of the light, which changes from the warm tone of the street lighting to the cool tone of dawn. The tone of light contributes to the action of the film, which begins in the manner of romantic dramas and ends in the domain of thrillers.
Concept:
When transcribing a film in a media publication, the main focus of the conceptual approach in defining the visual solution was based on the visualization of a continuous frame, gradient changes in light heat, and the intensity of dialogue in film time. Each character is assigned a separate letter cut that acts in the service of character notions.Typography is the main carrier of action, disposition and intensity. Therefore, the size of the letter shows the intensity of speech, spatial intervals in the change of dialogue show the flow of time in the relationship, while the gradient overflow of warm tone in cold tone shows the gradual change of action and its intensity and overall flow of time (night to dawn). The main idea of the conceptual approach was to present the atmospheric nature of the film work.
The German crime-drama thriller directed by Sebastian Schipper is one of the few feature films shot in a single continuous frame - without the post-production process of continuous frame simulation. Filming began on April 27, 2014 at 4:30 a.m. and ended at 7:00 p.m. The script consisted of twelve pages, with the main dialogue realized through improvisation. Due to the limited budget, the editor was able to shoot only three "long shot" attempts on the entire film, of which the third attempt was made as "Victoria". Apart from the fact that the film is specific in one continuous frame, it is also specific in the gradient change in the heat of the light, which changes from the warm tone of the street lighting to the cool tone of dawn. The tone of light contributes to the action of the film, which begins in the manner of romantic dramas and ends in the domain of thrillers.
Concept:
When transcribing a film in a media publication, the main focus of the conceptual approach in defining the visual solution was based on the visualization of a continuous frame, gradient changes in light heat, and the intensity of dialogue in film time. Each character is assigned a separate letter cut that acts in the service of character notions.Typography is the main carrier of action, disposition and intensity. Therefore, the size of the letter shows the intensity of speech, spatial intervals in the change of dialogue show the flow of time in the relationship, while the gradient overflow of warm tone in cold tone shows the gradual change of action and its intensity and overall flow of time (night to dawn). The main idea of the conceptual approach was to present the atmospheric nature of the film work.
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