Matthew Tranter's profile

Cinematic Narratives - Masters Thesis

Thesis Film - Produced by Matthew Tranter on After Effects and Photoshop
Scale and montage 

For my film the “positive” protagonist space can be considered as the internal safety of the cinema: the escapist dream world. The “negative” antagonist is the reality that we live in and the harshness of the industrial context. The scenes in the early stages that reveal the exterior of the building will show panning negatively along the x-axis, whereas the internal scenes will show panning positively. What effect does this create?

Cinematic Storytelling, Storyboard of final narrative
Cinematic Narratives - Masters Thesis
Published:

Cinematic Narratives - Masters Thesis

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Published: